Documentary watercolour of the archaeological park of ancient Naxos on Capo Schisò, with lava-stone walls, the museum, the Ionian bay and the heights of Taormina beyond

Illustrated guide · Sicily

Where Greek Sicily
began

Ten places through which to read the first Greek colony in Sicily: its landing place, houses, streets, sanctuaries, walls, shipsheds, museum and the bay that kept its memory alive.

Explore the places
Ancient Naxos · first Greek colony in Sicily

The coast below Taormina

Below Taormina, another beginning waits close to the ground.

During the family holidays that brought us to Taormina, the bay below belonged to the same landscape of sea, road and return. Yet Giardini Naxos cannot be treated as a footnote to the town on the hill.

Here the story changes scale. Low lava-stone walls, street foundations and fragments of roofs preserve the first documented Greek colony in Sicily. The evidence is quieter than Taormina's theatre, but its historical reach is greater than its height suggests.

Before the theatre on the hill, there was a city beside the bay.

One destination

Naxos,
a city in the ground.

Ancient Naxos occupied the lava platform of Capo Schisò and the land immediately north of it, between the Santa Venera stream and a bay that served as the colony's harbour. The archaeological park extends across roughly forty hectares, but much of what matters is read through plans rather than standing façades.

The guide therefore follows alignments, construction phases and finds. It distinguishes the first settlement of the late eighth century BC from the archaic city and the rigorously organised classical grid, and it keeps ancient Naxos separate from both modern Giardini Naxos and later Tauromenion.

The selection

Ten readings,
one first city

The route begins with the geography of Capo Schisò, crosses the earliest houses and the classical grid, then connects sanctuaries, defences, maritime infrastructure, museum collections and the continuing life of the bay.

  1. 01Capo Schisò and the Archaeological Park
  2. 02The First Settlement and House 5
  3. 03Plateiai, Stenopoi and the Classical Grid
  4. 04The South-Western Sanctuary
  5. 05The Archaic Walls at Santa Venera
  6. 06The Naval Arsenal and Neoria
  7. 07Archaeological Museum of Naxos
  8. 08Architectural Terracottas and Silenus Masks
  9. 09The Heidelberg–Naxos Arula
  10. 10The Bay and Modern Giardini Naxos
01

A city set on a lava platform

Capo Schisò and the Archaeological Park

The promontory, stream and bay explain why the first Greek colony in Sicily was founded here.

Watercolour view of Capo Schiso, the archaeological park and the Bay of Naxos
Capo Schiso and the Archaeological Park

The place today

The archaeological area spreads south of the modern centre of Giardini Naxos. Its remains are mostly low: wall lines, road beds, house foundations and sacred enclosures distributed through vegetation and open ground. The museum near the harbour provides the clearest entrance to a landscape that must be reconstructed by walking and reading.

The historical chapter

Naxos occupied approximately forty hectares on and north of the lava platform of Capo Schisò, bounded by the Santa Venera stream to the west and the broad bay to the east. The sheltered landing and the short crossing from the Italian mainland helped make this coast a strategic point for the first permanent Greek settlement in Sicily around 734 BC.

What to notice

  • The relationship between the flat lava platform and the sheltered bay
  • How little vertical architecture is needed to preserve a complete urban plan
  • The physical separation between the archaeological park and modern streets
Sicilian Region · Archaeological Park of Naxos and Taormina
02

Late eighth-century homes below a later avenue

The First Settlement and House 5

Thirteen early dwellings beneath Plateia A preserve the domestic scale of the founding generations.

Watercolour view of House 5 and the first domestic foundations at ancient Naxos
The First Settlement and House 5

The place today

A deep section along Plateia A reveals structures earlier than the classical street above them. The remains are modest rectangles rather than monumental ruins. House 5 is the most complete example, while the other dwellings survive as partial plans that reward attention to their different levels and orientations.

The historical chapter

The thirteen houses belong to the end of the eighth century BC, close to the colony's foundation. Most are rectangular. Their survival beneath the principal east-west avenue of the fifth-century city makes the superimposition unusually clear: a later generation imposed a regular plan over the more varied organisation of the first settlement.

What to notice

  • The depth separating the earliest houses from the later street level
  • The rectangular plan of House 5
  • Changes of orientation that reveal more than one urban phase
Sicilian Region · Naxos, the earliest houses
03

The city reorganised by measurement

Plateiai, Stenopoi and the Classical Grid

Three broad avenues and narrower cross-streets preserve one of the clearest early Greek urban plans in the West.

Watercolour view of the broad streets and narrow cross-streets of the Classical grid at Naxos
The Classical Street Grid

The place today

The walking route uses part of Plateia B and intersects the lines of houses and narrower streets. Low walls define long blocks in which rooms gather around central courtyards. At several junctions, small quadrangular bases may have served as street altars, placing ritual markers within the measured city.

The historical chapter

The regular grid belongs to the fifth-century reorganisation of Naxos. Three broad east-west axes — Plateiai A, B and C — were crossed at regular intervals by narrower north-south stenopoi. The plan followed the systematic destruction of earlier archaic buildings and fixed new blocks over a city whose first phases had used several orientations.

What to notice

  • The hierarchy between broad plateiai and narrow stenopoi
  • Central courtyards inside the long residential blocks
  • Quadrangular bases at street corners and their possible ritual function
Sicilian Region · The urban plan of Naxos
Documentary watercolour of ancient Naxos with low black lava-stone house plots, a straight lane, the south-west sanctuary pavilion and the Ionian coast
A CITY DRAWN IN LAVA STONELow volcanic walls, a straight lane and the protected sanctuary pavilion make the colonial grid legible without rebuilding houses or temples.
04

Sacred architecture beside the stream and sea

The South-Western Sanctuary

A walled temenos, altars, kilns and successive buildings show religion, craft and coastal access together.

Watercolour view of the excavated South-Western Sanctuary at ancient Naxos
The South-Western Sanctuary

The place today

High lava-block walls define a sacred enclosure near the mouth of the Santa Venera. Entrances connected it both to the city and to the shoreline. Inside are the remains of an early shrine, the larger Temple B, a processional altar, smaller altars and two kilns serving different kinds of sacred production.

The historical chapter

Cult activity began by the seventh century BC. A later building, Temple B, measured approximately thirty-eight by sixteen metres and carried an Ionian-inspired terracotta frieze of lotus flowers and palmettes. The deity is not securely identified: official descriptions cautiously refer to Hera or Aphrodite, and the uncertainty should be preserved rather than resolved by tourism shorthand.

What to notice

  • The polygonal lava masonry of the temenos
  • The relationship between processional altar, small altars and kilns
  • Two propylon routes linking sanctuary, city and shore
Municipality of Giardini Naxos · Sacred areas of ancient Naxos
05

Dark lava stone around the growing colony

The Archaic Walls at Santa Venera

Mid-sixth-century fortifications record the expansion and defence of the archaic city.

Watercolour view of the archaic fortification walls at Santa Venera
The Archaic Walls at Santa Venera

The place today

Sections of the wall survive along the stream side of the park and in the museum garden. Their large, irregular lava blocks contrast with the finer geometry of the later street grid. The wall is not a single scenic object; it must be followed in fragments across a landscape altered by excavation, agriculture and the modern town.

The historical chapter

The fortifications were built around the middle or later sixth century BC in polygonal masonry. They enclosed a city already larger and more organised than the first settlement. Ancient accounts and the municipal history note that they resisted the attack of Hippocrates of Gela around the beginning of the fifth century before being absorbed into later phases.

What to notice

  • The weight and irregular fit of the lava blocks
  • Where the wall meets the stream and the museum garden
  • The difference between a defensive circuit and isolated wall fragments
Sicilian Region · Fortifications of ancient Naxos
Documentary watercolour inside the Archaeological Museum of Naxos with glass cases of archaic ceramics, architectural terracottas and Silenus-mask fragments
TERRACOTTAS RETURN THE CITY TO COLOURCeramics, architectural terracottas and Silenus-mask fragments restore material and colour to foundations that appear almost monochrome outdoors.
07

The excavated city gathered into rooms

Archaeological Museum of Naxos

A museum built into a coastal fort explains the site through objects, plans and long archaeological research.

Watercolour exterior of the Archaeological Museum of Naxos in its coastal fort setting
Archaeological Museum of Naxos

The place today

The museum stands on Capo Schisò beside the harbour and the entrance to the archaeological route. It occupies a Bourbon fort that incorporates a late-sixteenth-century watchtower. A section of the ancient wall crosses the garden, so the transition from displayed object to excavated city begins before the visitor leaves the building.

The historical chapter

Most collections come from more than fifty years of excavations at Naxos. The display follows a chronological and topographical logic, joining pottery, architectural terracottas, coins, cult objects and maritime finds to the sectors where they were recovered. Smaller groups document Paolo Orsi's research and the contact between Greek settlers and indigenous Sicel communities.

What to notice

  • The ancient wall continuing through the museum garden
  • The fort and watchtower reused as a museum envelope
  • Labels and plans that return each object to its excavation context
Sicilian Region · Archaeological Museum of Naxos
08

Colour and ritual above mud-brick walls

Architectural Terracottas and Silenus Masks

Roof revetments reveal an architecture far more colourful and experimental than the surviving foundations suggest.

Watercolour interior of the Naxos museum with architectural terracottas and the arula in context
Inside the Archaeological Museum

The place today

In the museum, painted slabs, antefixes and figural terracottas restore the upper edge of buildings that no longer stand. Silenus masks are especially numerous, but Gorgons, female heads, sphinxes, lotus flowers and palmettes show that Naxian roofs formed complex visual programmes rather than repetitive decoration.

The historical chapter

Archaic sacred buildings were generally modest rectangular structures with mud-brick walls on stone bases and no external colonnade. Their monumental effect came from polychrome terracotta roofs. Workshops at Naxos experimented with forms connected to Greece and southern Italy, while the persistence of Silenus imagery also reflects the importance of Dionysian cult and identity in the colony.

What to notice

  • Traces of colour that contradict the idea of an all-white Greek city
  • Differences between Silenus, Gorgon and female antefix types
  • How roof decoration enlarged relatively small sacred buildings
Municipality of Giardini Naxos · Sacred architecture and cults
09

An object divided and reunited

The Heidelberg–Naxos Arula

A sixth-century-BC altar with facing sphinxes carries a modern history of dispersal, recognition and return.

Watercolour exterior of the Archaeological Museum of Naxos in its coastal fort setting
Archaeological Museum of Naxos

The place today

The recomposed terracotta arula is one of the museum's most eloquent objects. Two sphinxes face one another across a vegetal motif. Its scale is intimate, but the clean join between fragments turns it into evidence both for the craft of Naxos and for the later movement of antiquities through collections.

The historical chapter

The object dates to about 530 BC. One fragment remained at Naxos after being purchased locally; another entered the University of Heidelberg collection after its acquisition in 1904. Archaeologist Paola Pelagatti recognised the match in 1985, and the Heidelberg fragment was transferred in 1997 so that the arula could be reunited in Naxos.

What to notice

  • The symmetry of the facing sphinxes
  • The visible relationship between the two reunited fragments
  • How provenance becomes part of an object's historical meaning
Sicilian Region · Museum collections of Naxos
10

A harbour outliving the ancient city

The Bay and Modern Giardini Naxos

The modern waterfront preserves the geographical reason for Naxos while belonging to a much later town.

Watercolour panorama of the modern Giardini Naxos waterfront and its curved bay
The Bay and Modern Giardini Naxos

The place today

The bay is now lined by the modern town, beaches, fishing and leisure craft. The museum's stone anchors and lead anchor stocks recover a different maritime scale, while Capo Schisò and the archaeological zone interrupt the continuous tourist frontage with the physical memory of the colony.

The historical chapter

After Dionysius I destroyed Naxos in 403 BC, the city did not recover its former political rank, but the harbour remained active through antiquity. Settlement history later took another path: the Borgo delli Giardini developed along the coast and became an autonomous municipality named Giardini in 1847; the name Giardini Naxos now joins modern town and ancient predecessor without making them identical.

What to notice

  • The sheltered shape of the bay as seen from Capo Schisò
  • Ancient anchors displayed in relation to the modern harbour
  • The boundary between archaeological land and the living waterfront
Municipality of Giardini Naxos · History of the town

The city through time

Ten dates for orientation

A compact chronology showing how a landing became a colony, a measured city, a destroyed political centre, an enduring harbour and finally part of the name of the modern town.

  1. Settlers associated with Chalcis in Euboea and Naxos in the Cyclades establish Naxos, the first Greek colony in Sicily.

  2. The first rectangular houses are built on Capo Schisò; thirteen survive beneath the later line of Plateia A.

  3. The settlement expands and sacred areas develop around the margins of the growing city.

  4. Naxos constructs its polygonal lava-stone walls, monumental sanctuary architecture and naval facilities.

  5. Hieron of Syracuse expels the populations of Naxos and Katane and concentrates them at Leontinoi.

  6. The Naxians return; the city is reorganised through the regular grid of plateiai, stenopoi and courtyard houses.

  7. Naxos supports the Athenian expedition against Syracuse and serves the Athenian forces during the conflict.

  8. Dionysius I of Syracuse captures and destroys Naxos; the population is enslaved and the territory transferred to Sicel communities.

  9. Andromachus gathers Naxian exiles and descendants at Tauromenion, linking the histories of Naxos and Taormina without merging the two cities.

  10. The coastal Borgo delli Giardini becomes an autonomous municipality, beginning the civic history of the modern town.

Before your visit

Practical information,
without turning it into promises

01

Read before walking

The park is extensive and its walls are low. Begin with the museum plans and chronological displays so that roads, houses and sanctuaries remain legible outdoors.

02

Separate access

The Naval Arsenal is not simply another stop on the main museum route and may require advance booking. Verify the current official access notice.

03

Ground and weather

Open archaeological terrain, summer heat and limited shade can change the pace of the visit. Footwear, water and weather should be considered without assuming universal accessibility.

04

Keep the names distinct

Ancient Naxos, modern Giardini Naxos and Taormina are historically connected but separate places. This guide does not use one as a label for the others.

Sources

The guide is based primarily on the Sicilian Region's Archaeological Park of Naxos and Taormina and the official museum and naval-arsenal records. The Municipality of Giardini Naxos provides a detailed institutional history of the colony, its sanctuaries, collections and the modern town. Dates are presented conservatively where literary traditions and archaeological phases do not align perfectly.

The hero image is an illustration, not a photograph. Opening hours, tickets, excavation routes, vegetation, conservation work and access to the Naval Arsenal can change; consult the official park and municipality pages shortly before visiting.